It is one of the 3 pieces of Bisang (images carved in relief on a stone monument) at the Biamsa Temple. It is different because the rock becomes thinner and curved towards the top. It is a large stone in the shape of a pear, with a carving on the front and the 4 lines of inscriptions engraved on the back. On the front, the figures of Buddha and Bodhisattva are carved to look as if they change frequently, almost like a scene in paradise. The bottom is surrounded by lotus flowers forming a pedestal for the statue, with railing and stairs on top. On top of this a pond is expressed by a wave pattern with lions facing each other on both sides of the railing. A large lotus is at the center of the pond with Amitabha sitting on it as the principal image. Standing Buddhist statues are arranged on each side using strict symmetrical methods. The large clothing covers the shoulders of the principle image statue. The shape of the right hand is dull, but the left hand held under the chest that has a 卍 engraved on it. On each side of the principle figure stand Bodhisattva figures and between them is the upper body of Arhat, Buddha's disciple who attained Nirvana. Beside the Bodhisattva figures is the fierce spirit Yachasang holding the horoscope high in one hand, and beside that is the guardian spirit Inwangsang. Above the principal figure are 5 Buddha images carved in a half-circle formation and 7 more are carved above this. Between each of these images of Buddha are leaves, tree branches, marbles and decorations, which express paradise. It is estimated that this statue is dated later than the statue with inscription of the cyclic year of Gyeyu at Biamsa Temple, around the 9th year of King Sinmun (689) of the Silla Dynasty. It can be taken as a good example of the early Unified Silla Era, with a mixture of art elements from the Three Dynasties Era and the Chinese Tang era. The religion of the era is easily noticed from the usage of Amitabha as the principle figure.

(출처 : 문화재청 홈페이지)